GeekNation
News, technological breakthroughs, reviews on games, graphic novels / comics, series and movies, a bit of everything for everyone without border
jueves, 12 de mayo de 2016
Minnesota Legislators Go Crazy, Pushing Dangerous PRINCE Act
ust a few weeks after his death, some Minnesota
legislators are using Prince’s name to ram through a dangerous publicity rights
law that will give his heirs – and the heirs of any other Minnesotan – broad
and indefinite rights to shut down all kind of legitimate speech and activities
in perpetuity.
Defenders of the law will insist that there’s
nothing to see here. After all, publicity rights laws aren’t new. The right of
publicity is a recent offshoot of privacy law that gives a (human) person the
right to limit the public use of her name, likeness and/or identity for
commercial purposes like an advertisement. The original idea makes sense: using
someone's face to sell soap or gum, for example, might be embarrassing for that
person and she should have the right to prevent it.
But states have expanded the law well beyond
its original boundaries. For example, the right was once understood to be
limited to a person’s name and likeness, but now it can mean just about
anything that “evokes” a person’s identity, such as a phrase associated with a
celebrity (like “Here’s Johnny,”) or even a cartoonish robot dressed like a
celebrity. And in some states, your heirs can invoke the right long after you
are dead and, presumably, in no position to be embarrassed by any sordid
commercial associations. In other words, it’s become a money-making machine
that can be targeted at all kinds of activities.
What is worse, some courts have abandoned
traditional tests that helped make sure that publicity rights claims couldn’t
be used to shut down legitimate speech that happened to refer to a celebrity or
use her likeness in reasonable ways (in biopics, for example).
Publicity rights are an increasingly dangerous
weapon against legitimate speech. But this rushed Minnesota proposal is the
worst we’ve seen so far. For one thing, rather than setting a maximum term, it
actually sets a minimum term (50 years) and will allow an estate to keep
asserting the right to control uses of a celebrity’s name and likeness forever,
unless and until someone can prove that they’ve abandoned it. As a practical
matter, that means heirs could use this right to control many uses of a work
created by a celebrity even after the copyright has long since expired. Suppose
that when Prince’s works finally enter the public domain in 2086, a group of
fans wants to throw a benefit concert featuring Prince songs. Under copyright
law, that would be fine. But under the proposed Minnesota law, they couldn’t use
Prince’s name.
The proposed bill would also allow a
celebrity’s estate to seek more than financial compensation: it can also get a
court order taking content offline. In the internet context, this kind of
seizure almost always sweeps up perfectly legitimate speech – it is difficult
to “seize” just part of a website.
There are a lot of other problems with the
bill, such as vague and limited protections for fair uses (watch out, fan
sites!), and a misguided characterization of the right of publicity as a
“property” right. As we’ve seen with copyrights and trademarks, treating
limited monopolies in certain expression as a "property" leads people
to embrace broad and dangerous new forms of protection for that
"property."
This is a bad idea, badly executed. We
disagreed with Prince on copyright issues more than once, but there's no
question that he was a musical genius that deserves to be widely celebrated. We
hate to see his passing used an excuse to manufacture yet another legal club
against such celebrations. Minnesotans, act now to tell your legislators that
this is going much too fast.
What You Won't Find in the U.S. Special 301 Report
Every year, the United States publishes a
report on countries that, in the opinion of the U.S. Trade Representative
(USTR), fail to give “adequate and effective” protection to U.S. holders of
intellectual property rights. This Special 301 Report names and shames nations
that do not meet a vague and impossibly high standard of IP enforcement, and
implies that the U.S. and its trade partners should punish them for failing to
enact more draconian copyright, patent, and trademark restrictions. The Special
301 Report is the result of an opaque process that directly manifests the
desires of private industry, like Hollywood studios. It is used as a bullying
tactic to push countries into adopting stronger IP laws, regardless of whether
such laws are in the best interests of the citizens of that country.
But the Special 301 Report fails to tell the
whole story about copyright across the modern online world. It doesn’t talk
about the damage that restrictive copyright can do to artists and researchers
in the digital era. It ignores how innovators have benefited from a more
balanced enforcement system and generous exceptions—most famously in the United
States itself.
On the Web, the error code 404 shows browsers
that something is missing. EFF believes that in the Internet era, the Special
301 Report is missing real stories from the countries that the Special 301
condemns. Our intention for this report is to show what’s missing from Special
301 and give some balance to the USTR’s biased review of global intellectual
property laws by highlighting the arguments for balanced copyright, patent, and
trademark law worldwide.
EFF’s Special 404 Report includes a selection
of case studies from across the globe showing how overly broad intellectual
property laws stifle access to cultural artifacts, artistry, and innovation.
Our report also showcases examples in which flexible fair use interpretations
have benefited the community, culture, and economy of a country. This report is
not an exhaustive analysis of each country listed in the Special 301 Report.
Rather, our report is designed to provide insightful case studies that will
inform a larger conversation about how the USTR’s report is fundamentally
defective.
Our report concludes by outlining some of the
flaws of the Special 301 Report, including issues around transparency, balance,
and legality.
Many people look to the USTR’s Special 301
Report when analyzing business relationships in a new country or when analyzing
the intellectual property laws of a country for other purposes. Our report is
designed as a counterpoint—ensuring that the one-sided narrative of the USTR is
challenged with examples that prioritize access to culture and new forms of
innovation over the financial interests of a handful of U.S. corporate rights
holders.
Stakes Are High in Oracle v. Google, But the Public Has Already Lost Big
Attorneys
for the Oracle and Google companies presented opening statements this week in a
high-stakes copyright case about the use of application-programming interfaces,
or APIs. As Oracle eagerly noted, there are potentially billions of dollars on
the line; accordingly, each side has brought “world-class attorneys,” as Judge
William Alsup noted to the jury. And while each company would prefer to spend
their money elsewhere, these are businesses that can afford to spend years and
untold resources in the courtroom.
Unfortunately,
the same can’t be said for the overwhelming majority of developers in the
computer industry, whether they’re hobbyist free software creators or even
large companies. Regardless of the outcome of this fair use case, the fact that
it proceeded to this stage at all casts a long legal shadow over the entire
world of software development.
At
issue is Google’s use in its Android mobile operating system of Java API
labels—a category of code Google (and EFF) previously argued was not eligible
for copyright. Judge Alsup, who demonstrated some proficiency with programming
Java in the first leg of the case, came to the same conclusion. But then the
Federal Circuit reversed that position two years ago, and when the Supreme
Court declined to hear the issue, there was nowhere left to appeal. With this
new decision on copyrightability handed down from above, Google and Oracle now
proceed to litigate the question of whether Android’s inclusion of the labels
is a fair use.
If
Google wins at this stage, it’s tempting to declare the nightmare of that
Federal Circuit opinion behind us. After all, fair use is a right—and even if
API labels are subject to copyright restrictions, those restrictions are not
absolute. Google prevailing on fair use grounds would set a good precedent for
the next developer of API-compatible software to argue that their use too is
fair.
Tempting,
but not quite right. After all, there is a real cost to defending fair use. It
takes time, money, lawyers, and thanks to the outrageous penalties associated
with copyright infringement, comes with a substantial risk. Beyond all those
known costs, wedging a layer of copyright permissions culture into API
compatibility comes with serious unknowable costs, too: how many developers
will abandon ideas for competitive software because the legal risks are too
great?
There’s
a reason people say that if you love fair use, you should give it a day off
once in a while. Even the vital doctrine of fair use shouldn’t be the only
outlet for free speech. In many areas, an absence of copyright, or the use of
permissive public licenses, can foster more creativity than fair use alone
could. Sadly for now, in the world of software development it’s the paradigm we
have.
An Open Letter to Members of the W3C Advisory Committee
Dear member of the World Wide Web Consortium's
Advisory Committee,
You may have heard that over the past year
we've been trying to insert legal safeguards into the Encrypted Media
Extensions project at the W3C, which standardizes streaming video DRM. We've
previously been opposed to the W3C adopting EME, because of the legal issues
around DRM, and because DRM requires
user agents to obey third parties, rather than their owners.
However, we think that there's a compromise
that both DRM advocates and opponents should be able to live with.
I'm writing today to see if you will support us
in an upcoming W3C vote on the charter of the Media Extensions Group, where we
will be proposing this compromise.
This letter briefly describes briefly the
problem, our proposed solution, and what you can do to help.
The Problem
Our major problem with DRM is legal, not
technical. In the USA, section 1201 of the Digital Millennium Copyright Act
(DMCA) forbids breaking DRM, even for lawful purposes, and gives companies the
legal tools to threaten and silence security researchers who discover defects
in their products (because disclosure of a defect might help people break the
DRM).
Neither of these legal effects are good for
open standards (you don't have to take our word for it).
Giving vendors the power to silence security
researchers doesn't make users safer -- it just makes vulns last longer in the
wild, exploitable by bad guys (from autocratic state security services to
organized crime).
Equally significant in the world of open
standards is protecting interoperability. The normal course of things in
technology is that one company may make a product that interoperates with
another company's products, provided that they don't violate a patent or engage
in some other illegal conduct. But once DRM is in the mix, interoperability is
only legal with permission.
Here's an example: if the W3C defines a
data-type, anyone can make a user-agent that can receive and render that data.
The people designing user agents might do things that the people running the
servers disapprove of (for example, blocking pop-up ads), but that's not
illegal -- so long as you don't break the law, the company serving the data
can't dictate how the companies making the clients must handle it.
With EME, and for the first time in W3C
history, a protocol is being designed explicitly to allow companies who serve
data to use the law to shut down companies that render it, even if they do not
infringe copyright. Features as simple as a pause button, or time-shifting, or
even changing the gamut to adapt to color blindness can't be undertaken without
permission from the companies serving the video, without falling afoul of the
DMCA.
Not just the DMCA, either. The US Trade
Representative has made adopting DMCA-like anticircumvention rules a condition
of trade with the USA in most of the world.
Our Solution
We've proposed a simple solution, patterned
after the existing W3C patent policy. The patent policy doesn't take a position
on whether patents are good or bad, but it does hold that standards are more
open if you don't have to license a patent to implement them, so W3C members
are required to promise not to sue others for practicing their patents when
implementing W3C recommendations.
Our proposal does the same thing, except for
anti-circumvention rights (rather than patents). Members who participate in the
Media Extensions Working Group will have to make a legally binding promise not
to use anti-circumvention laws to aggress against security researchers or
implementers.
All other rights and causes of action -- trade
secrecy, copyright, tortious interference, breach of contract -- are intact. We
did a survey of US case-law on anti-circumvention and all the cases in our
survey could have proceeded even if the private plaintiff was a party to our
covenant -- so we're not proposing to take away any of the legal rights
businesses are depending on for legitimate business, only for threats and
chilling effects.
What We Want From You
The Media Extensions Working Group has had its
charter renewed until September, and it's unlikely that EME will be ready to be
a recommendation by then. The last charter renewal was controversial, with a
diverse group of members objecting to the renewal unless the covenant was made
a condition of participation.
For the next extension, we're building a
coalition of W3C members who will ask that the charter only be renewed with a
mutually agreed-upon covenant as an exit condition.
Will your organization commit to objecting to
the renewal in September, unless a nonaggression covenant is added as an
exit-condition?
Defend your rights in the digital world
Once upon a time, there were two major browsers
that virtually everyone used: Netscape and Internet Explorer, locked in a
death-battle for the future of the Web. They went to enormous lengths to tempt
Web publishers to optimize their sites to work best inside their windows, and
hoped that users would follow.
Then, a game-changer: the open, nonprofit
Mozilla browser spun out of Netscape, with the mission of putting users, not
publishers, in charge. Mozilla defaulted to blocking pop-up ads, the scourge of
the early Web. It was a step none of the major browsers could afford to take,
because publishers were convinced they would go broke without them, and any
company whose browser blocked pop-ups by default would alienate the publishers,
who'd throw their lot in with the competition.
A little over a decade later, and the world of
browsers is unrecognizable: Mozilla turned into Firefox; Internet Explorer
turned into Edge, Apple launched Safari, and Google launched Chrome. Every one
of them blocks pop-ups by default! Literally none of the dominant browsers from
a decade ago are in widespread use today.
Which is not to say that there isn't competition.
There is, and its as fierce as ever, and as ever, it's a strategic fight to
please both publishers and users, whose interests are not always the same.
Publishers want to gather more information on users; users want to keep their
information private. Publishers want to control users' browsing and viewing
experience; users want to sit in the driver's seat.
We need competition; we also need diversity. We
need the possibility that young, game-changing market entrants might come
along. We need that idea to be kept alive, to make sure that all the browsers
don't shift from keeping users happy to just keeping a few giant corporations
that dominate the Web happy. Because there's always pressure to do that, and if
all the browsers end up playing that same old game, the users will always lose.
We need more Firefoxes.
We need more browsers that treat their users,
rather than publishers, as their customers. It's the natural cycle of
concentration-disruption-renewal that has kept the Web vibrant for nearly 20
years (eons, in web-years).
We may never get another one, though.
The World Wide Web Consortium (W3C), once the force
for open standards that kept browsers from locking publishers to their
proprietary capabilities, has changed its mission. Since 2013, the organization
has provided a forum where today's dominant browser companies and the dominant
entertainment companies can collaborate on a system to let our browsers control
our behavior, rather than the other way.
This system, "Encrypted Media
Extensions" (EME) uses standards-defined code to funnel video into a
proprietary container called a "Content Decryption Module." For a new
browser to support this new video streaming standard -- which major studios and
cable operators are pushing for -- it would have to convince those
entertainment companies or one of their partners to let them have a CDM, or
this part of the "open" Web would not display in their new browser.
This is the opposite of every W3C standard to
date: once, all you needed to do to render content sent by a server was follow
the standard, not get permission. If browsers had needed permission to render a
page at the launch of Mozilla, the publishers would have frozen out this new,
pop-up-blocking upstart. Kiss Firefox goodbye, in other words.
The W3C didn't have to do this. No copyright
law says that making a video gives you the right to tell people who legally
watch it how they must configure their equipment. But because of the design of
EME, copyright holders will be able to use the law to shut down any new browser
that tries to render the video without their permission.
That's because EME is designed to trigger
liability under section 1201 of the Digital Millennium Copyright Act (DMCA),
which says that removing a digital lock that controls access to a copyrighted
work without permission is an offense, even if the person removing the lock has
the right to the content it restricts. In other words, once a video is sent
with EME, a new company that unlocks it for its users can be sued, even if the
users do nothing illegal with that video.
We proposed that the W3C could protect new
browsers by making their members promise not to use the DMCA to attack new
entrants in the market, an idea supported by a diverse group of W3C members,
but the W3C executive overruled us saying the work would go forward with no
safeguards for future competition.
It's even worse than at first glance. The DMCA
isn't limited to the USA: the US Trade Representative has spread DMCA-like
rules to virtually every country that does business with America. Worse still:
the DMCA is also routinely used by companies to threaten and silence security researchers
who reveal embarrassing defects in their products. The W3C also declined to
require its members to protect security researchers who discover flaws in EME,
leaving every Web user vulnerable to vulnerabilities whose disclosure can only
safely take place if the affected company decides to permit it.
The W3C needs credibility with people who care
about the open Web and innovation in order to be viable. They are sensitive to
this kind of criticism. We empathize. There are lots of good people working there,
people who genuinely, passionately want the Web to stay open to everyone, and
to be safe for its users. But the organization made a terrible decision when it
opted to provide a home for EME, and an even worse one when it overruled its
own members and declined protection for security research and new competitors.
It needs to hear from you now. Please share
this post, and spread the word. Help the W3C be the organization it is meant to
be.
Suscribirse a:
Entradas (Atom)